Related Paintings of unknow artist :. | All the elemens in liturgical furniture | European city landscape, street landsacpe, construction, frontstore, building and architecture. 207 | Jahangir-s tomb at Shahdara | Henriette d'Angleterre as Minerva holding a painting of her husband the Duke of Orleans | Still life floral, all kinds of reality flowers oil painting 184 |
Related Artists:
SOMER, Paulus van
Flemish Baroque Era Painter, ca.1576-1621
Adolf Ulrik Wertmuller
(February 18, 1751 e October 5, 1811) was a Swedish painter whose notable works include Danaë receiving Jupiter in a Shower of Gold. Wertmeller was born in Stockholm and studied art at home before moving to Paris in 1772 to study under his cousin Alexander Roslin and French painter Joseph-Marie Vien. On July 30, 1784, Wertmeller was elected to the Royal Academy of Painting and Sculpture. Wertmeller was commissioned by Gustav III of Sweden for a portrait of Marie Antoinette, which is now in the Nationalmuseum at Stockholm. In 1787, he produced his masterpiece Danaë, a work which proved controversial as one of the earliest female nude paintings exhibited in America. Wertmeller first emigrated to the United States in May 1794 and continued his portrait work, most notably of General George Washington, but in 1796 was called back to Sweden, eventually returning to Philadelphia in 1800. Elizabeth B. Johnston, in her book Original Portraits of Washington (Boston, 1882), speaks of five portraits of Washington by Wertmeller, of which one, executed in 1797, was purchased by the U. S. government in 1878, and another is owned by the Historical Society of Pennsylvania. Wertmeller was married to Elizabeth Henderson, granddaughter of noted early American painter Gustavus Hesselius, on January 8, 1801, and two years later retired to a plantation in Claymont, Delaware, where he lived the final years of his life. He died near Marcus Hook, Pennsylvania, aged 60.
John Tenniel
English Golden Age Cartoonist and Illustrator. (1820-1914) English illustrator and painter. Impatient with the hierarchic structure of the curriculum at the Royal Academy schools in London, he left to follow a less formal education at the Clipstone Street Art Society's life and anatomy classes and in the British Museum's sculpture galleries and Print Room. His research into the history of costume and armour provided material for his early oils of chivalric scenes, which he exhibited at the Royal Academy (1837-42, 1851). Tenniel was among the artists commissioned to decorate the New Palace of Westminster, and he went in 1845 on a state-sponsored trip to Munich to study fresco technique. His contact with the school of Peter Cornelius while there confirmed his emphatic preference for a precisely drawn line.